ūüďćMedical Museion, Copenhagen

Happy Friday all,

My trip to Copenhagen was absolutely made by visiting this magnificent Medical Museum – so much so that I visited it twice during my 4 day trip!

I’m a massive fan of a Medical themed museum and an regular visitor to The Wellcome CollectionThe Hunterian MuseumOld Operating Theatre to name a few but this visit was next level for me for a few reasons. Firstly, the Museum is housed in the former Royal Academy of Surgeons – a building which is a current candidate for inclusion in UNESCO‚Äôs World Heritage List. The stunning auditorium, in which doctors were trained until 1942, is the stunning architectural heart of the Museum. Designed by Peter Meyn, the room is neoclassical in style with hints towards antiquity whilst the ceiling is based on the roof of the Pantheon temple in Rome. Leading medical personalities Galen and Hippocrates adorn the walls whilst reliefs depicting Asclepius, Athena, King Christian VII and Frederik IV are also featured.

Secondly, during the study trip we were able to get an exclusive behind the scenes look at the collections work being undertaken by conservators at the Museum. We ventured into the stores with Ion Meyer, Head of Collections where we met 3 Conservators that are currently working on a large scale documentation and digitisation project that is happening across museums in Copenhagen. Hearing about the project goals, challenges and successes thus far – as well as seeing some pretty cool hidden gems (including the box of 19th century drugs below) – was a great addition to the visit.

Finally, the Museum has utilised, it seems, every bit of space available to them so that no space is left as ‘nothing’. There are light installations in corridors, art pieces in alcoves and medical instruments filling shelving units. I’ve always been a collector – any spare space in my room is filled with nick-nacks, souvenirs or useless pieces of paper that I promise to “stick in my scrapbook”. So when I walk around museums and see areas of nothingness it makes me feel a little annoyed. On average only 5% of museum collections are on display at any one time (unbelievable I know!) so SURELY something could be displayed to fill the voids. The Medical Museum proved that this is something that can be achieved effectively without the objects or installations being damaged, at risk or feeling out of place.

In the next posts I’ll write about the 2 current special exhibitions on at the Museum; Mind the Gutand The Body Collected, again two of the best exhibits I’ve seen.

Happy Museum Musings!

Em xo

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ūüďćThe Workers Museum, Copenhagen

Hi all,

In my last blog post I gave you an overview of my exciting visit to Copenhagen, Denmark as part of the SEMFED Study Trip. This week I am going to start writing about the individual museums that I visited; starting with The Workers Museum.

In 1871, a large Labour Movement began in Denmark. A year later, riots between the socialists and Danish authorities lead to Movement meetings being banned from public arenas. A local Labour Group in the city began collecting money to purchase a meeting space. By 1879 the group had raised enough money to purchase the building known as the Workers Assembly Building. In 1973 the space, which is reportedly the 2nd oldest workers building in the world, became The Workers Museum.

The Assembly Hall: Located on the first floor, this room originally served as the main space used¬†for working class families to participate in political meetings, dances and reading clubs during the 1800’s. In 1913 a stunning glass cleaning was added whilst the side walls are decorated with intricate wooden carvings representing a variety of workers’ trades. Today, the space is used for weddings, lectures and museum conferences. In 2011, during the European refugee Crisis, the museum successfully secured ¬£90,000 (750,000 Kroner) funding from the Ministry of Culture to create a new educational course suitable for young learners. The theme of¬†Young Voices is¬†democracy and its aim is to make young people‚Äôs voices heard.¬†The Assembly Hall is used to teach these lessons rather than at school; linking back to the Hall’s original purpose. FUN FACT: Nelson Mandela spoke in the Hall in 1992!

The Children’s Workers Museum: My favourite part of the Museum – filled with handling objects, interactive stations and reconstructed spaces based on 1930s Denmark. The exhibition aims to teach young visitors about the way working class children lived in the past. The rags to riches story of Thorvald Stauning, a working class boy who grew up to be Denmark’s longest serving Prime Minister (1924 – 1926 and again from 1929 – 1942) is a major part of the exhibition narrative. Throughout the Children’s Workers Museum you can pretend to live, work and play like in the past whilst learning about child labour, working class life and how politics impacted Danish communities.

The S√łrensens ‚Äď A Working-Class Family: This gallery focuses on The S√łrensens – a working class Danish family made up of two parents Peter; a Labourer, Karen; a¬†housewife and their 8 children. The family moved to Copenhagen from the Danish countryside in 1885 and moved to various locations before¬†settling in a two room flat in 1915. This flat is on permanent display as the Museum to explores give an insight into the home of unskilled labourers from the early 1900s.

In the late 1940s the parents passed away and after 7 children moved out, Yrsa (the second youngest daughter) stayed in the flat Рwhere she lived until December 1989. When she moved to a residential home, her family kindly donated the entire contents of the family flat to the Workers Museum where it still stands for people to visit.

Alongside these permanent exhibitions, The Workers Museum also showcases special exhibitions – one of which I shall write about in my next post.

Happy museum musings!

Em xo

 

SEMFed Study Trip 2019: ūüďćCopenhagen, Denmark

Hej alle (hello all),

Back in 2015, when I was in my first museum role, I joined the South and East Museums Federation (SEMFed) as a way to network and attend events with other local museum professionals. The group organises study days throughout the year – of which I have attended 2 in¬†Windsor and St Albans. The Federation also organises an annual Study Trip abroad. Each year SEMFed awards the¬†Martin Howe Bursary¬†to 2 Members who have not attended a Study Trip before. I was lucky to be a recipient of the bursary and join the group’s trip to Copenhagen, Denmark.

NB: This post will just be a quick overview of the trip as I would like give each museum their own individual posts as each one was so different and eye-opening that this round-up won’t do them the justice they deserve!

Day 1: Myself and my sister arrived in Copenhagen a day earlier than most and set about hitting up some of the main sights including The Little Mermaid and Nyhavn Canal. (FYI, the Little Mermaid is really very little and mildly disappointing!) We walked past some beautiful buildings, ventured through the city centre and stuffed our faces with top notch burgers from Friends & Brgrs.

Day 2: I was up bright and early ready to visit the first museum of the Study Trip: The Workers Museum (Arbejdermuseet). The Museum is located in the second oldest¬†Workers Assembly Building in the world¬†which was purchased by the labour movement in around 1879. The space has been a museum since 1973 and is on the Danish UNESCO list. The Museum has a variety of galleries that allow visitors to explore life of Danish people through time; from the S√łrensen Family who moved to Copenhagen in 1885 to the working children of the 1930’s. Alongside this, we got a private tour of the special exhibition¬†Clever Hands¬†which explores craftsmanship in Denmark through film, sound and object handling.

On our walk to lunch we stopped off at Rosenborg Castle Рa 400-year-old Renaissance castle built by Christian IV which holds The Royal Danish Collection.

In the afternoon we visited the Botanical Garden & Geological Museum (part of the Natural History Museum). We started off by getting warmed up in the Palm House which is located in the Botanical Gardens. The House, made from cast iron and glass, was built in 1872-74 and is based on the Crystal Palace in London. We then attended a lecture by Team Leader for Audiences and Schools, Anne Katrine Gjerl√łff, who explained more about the Museum’s redevelopment plans and the organisation’s recent restructure.

Day 3: On the third day of the trip we started by visiting the Medical Museion. Founded in 1907 to commemorate the 50th anniversary of the Danish Medical Association, the Museum was a public organisation until it successfully merged with the University of Copenhagen in 1918. The institution is primarily dedicated to the history of health and disease with a special interest in biomedicine. During our visit, the Head of Collections, Bente Vinge Pedersen took us on tour of the 2 special exhibitions currently on display: The Body Collected  and Mind the Gut. 

After a quick lunch break we began our visit to¬†The¬†National Museum of Denmark¬†(Nationalmuseet). The Museum holds the largest and most important cultural, social and historical collection in Denmark; spanning multiple time periods, themes and collections from ancient times to the present day. On our visit we were shown around by Mette Boritz, Exhibitions Manager who showed us around some of her favourite parts of the Museum. The tour included exploring the new (highly controversial)¬†Vikings exhibition, Meet the Rollers, a display aimed at young¬†people based around TV’s famous¬†Ramasjang Rollers¬†and¬†Life in Denmark, 2000 – 2020.

Day 4:¬†On our final day of our trip, my sister and I returned to The Medical Museum as I wanted to explore the exhibitions in more detail. After this, we visited the Design Museum which is free to under 26’s = BONUS! We got to see the permanent exhibitions: The Danish Chair: An International Affair, Danish Design Now and 20th Century as well as the special exhibition Creme De La Creme which showcases some of the Museum’s oldest pieces that are rarely on display.

I am so grateful to SEMFed for awarding me with the Martin Howe bursary to enable me to attend the study trip and I’m excited to meet up with the lovely group again for future events and study days. Look out for my future posts where I’ll address each museum in more depth.

Happy museum musings,

Em xo

I am Ashurbanipal king of the world, king of AssyriaūüďćThe British Museum

Hi all, happy Friday!

Today I want to highlight a very special exhibition that is currently on display at my former workplace, The British Museum. When I worked there last year I was lucky enough to meet with Carine Harmand, the wonderful Project Curator of the current I am Ashurbanipal exhibition. She introduced me to the history of Assyria and King Ashurbanipal as well as talking me through the objects and key narratives that would be included in the exhibition. The plans were so exciting that I knew it would be a success and I definitely was not disappointed!

Displayed in the Sainsbury Exhibitions Gallery (Room 30), I am Ashurbanipal king of the world, king of Assyria¬†explores the life of King Ashurbanipal who¬†was at one stage, the most powerful man on the planet. He ruled the Neo-Assyrian Empire, the¬†largest empire in the world, between 669‚Äďc.631 BC. The first artefacts we are introduced to are a¬†set of Assyrian palace reliefs¬†known as the¬†Lion Hunt of Ashurbanipal¬†which would have decorated his North¬†Palace in Nineveh (now modern day Mosul). The reliefs depict the King participating in the royal sport of lion hunting. The intricate stone works represent the King killing ferocious lions which serve as a reflection of his heroic, strong and vivacious leadership.

Underneath the reliefs, the scenes have been enlarged and interpreted so that visitors can get a better understanding about what is happening in each scene. In addition, there are ‘Family Labels’ that use simpler language to pose questions and set out activities for younger visitors. Both are a great example of how to include interpretation for a range of audiences to support engagement and understanding.

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Another fundamental part of the exhibition is the Royal Library of Ashurbanipal which consists of approximately 30,000 cuneiform tablets including letters, literature and medicine records. Included in the Library collection is¬†the Epic of Gilgamesh¬†– an epic poem from Mesopotamia which is regarded as the earliest great work of literature. The poem, c.680 – 630 BC, was discovered in Nineveh by excavator Sir Austen Henry Layard’s assistant, Hormuzd Rassam.

Finally, my absolute favourite part of the exhibition has to be the use of colour and lighting to bring the Assyrian reliefs to life. The addition of both enables visitors to see what reliefs would have looked like in the past and it was absolutely SPECTACULAR! When hearing about this during the planning stages I was intrigued about how this would turn out in reality as I’d never seen this kind of technique used before. But my goodness, did was it a triumph!

Above, you can see how lighting and colour was utilised to highlight where canals and aqueducts, forests and palaces are presented in the relief. The use of authentic colours means that the artwork underneath isn’t detracted from at all; instead it helped me to see more of the intricate details than I had beforehand.

Similarly, the use of lighting and projected text really brings the story of Ashurbanipal and his brother Shamash-shum-ukin to life. Their sibling rivalry is a complex narrative to grasp, especially for someone like me who has very little knowledge of  but through this interactive display, the battle between the rulers of Assyria & Babylon is explored and explained in an engaging & more manageable way. The exceptional use of technology is one which I would love to see used in future exhibitions (budget permitting of course!)

You only have 9 days left to see this spectacular exhibition at the British Museum (note: you can get 50% exhibitions if you buy/have a National Art Pass) so hurry! From the lighting and interpretation to the choice of artefacts and inclusion fo the British Musuem’s Iraq Scheme,¬†I am Ashurbanipal is more fantastic than I could’ve imagined. Congratulations to Carine and everyone involved in putting together such an immersive, engaging and inspiring exhibition – the best I’ve seen in a very long time!

Happy museum musings!

Em xo

ūüďćCharles Bridge Museum, Prague

Ahoj, greetings from the Charles Bridge Museum!

This small, local history museum is located in the Baroque building of the Military Order of the Crusaders of the Red Star which was established by Saint Agnes of Bohemia in 1252. The Crusaders have been the keepers of the bridge since time immemorial.

Construction of the Charles Bridge began at 5:31am on 9th July 1357 – according to Czech legend, Charles IV laid the Bridge’s first stone himself! The start time of the construction was hugely significant to the Holy Roman Emperor as he was a strong believer in numerology. The specific time/date: 1357 9, 7 5:31 forms what is known as a palindrome – a word, number or¬†phrase¬†which reads the same backward as it does forward. This, according to believers, made the Bridge a ‘numerical bridge’ which would instill it with more strength. The numbers can be seen above the museum’s entry sign:

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An array of different materials have been used to reconstruct the bridge over the years after the Bridge has been damaged or wrecked by conflict and natural disasters. Displays in the museum showcase scaled down examples of the layers which include sandstone, cemented stone, granite pavement and waterproofing components.

On the upper floor there are recreated scenes showcasing scenes of the Bridge’s construction. Whilst under ground, a large segmented reconstruction the bridge gives a better understanding about the scale of the Gothic bridge and its layered materials.

Alongside these displays, the museum exhibits some beautiful local history artefacts. My favourites are a painted sculpture of Saint John of Nepomuk and a processional sun monstrance.

Left:¬†John of Nepomuk (c. 1345 ‚Äď 20th March 1393), Saint of the Czech Republic was drowned in the Vltava River after he refused to divulge the secrets of the Queen of Bohemia’s that she revealed in confessionals. Because of the nature of his death, John of Nepomuk is known as the protector from floods and drowning. ¬†Right: A processional sun monstrance with an embossed depiction of St. Barbora, 2nd half of the 18th century.

Although small, this museum gives a great insight into the famous Charles Bridge and its history. I would also recommend taking a River Cruise from underneath the Museum to spend an hour taking in the beautiful views of the Vltava River.

Happy Museum Musings!

Em xo

ūüďćVoice and Vote: Women’s Place in Parliament pt. 2

Hi all, happy Friday!

A few weeks back I shared a post about my BTS visit to¬†Vote and Vote: Women’s Place in Parliament exhibition at Westminster Palace, London. It was really fascinating and for me, made a real change to the stereotypical displays that have been curated to celebrate the 100 years of the Representation of the People Act which gave some women the right to vote in the UK. Many of the exhibitions I have visited have focused on the ‘popular’ suffragettes like Emmeline Pankhurst and Emily Davidson; displaying the same medals, banners and badges time and again. Whilst Vote and Vote did acknowledge these women and exhibit some similar objects, the curators were blessed with having the Parliamentary Archives to work from meaning a different set of political activists, specialist objects and original stories could be showcased which I was very relieved about!

Favourite objects:

The Great Pilgrimage was one of the largest peaceful suffrage demonstrations, with 50,000 women attending the rally in Hyde Park, London. This map shows routes taken by ‘pilgrims’ travelling across the country to London.

fullsizeoutput_aafThe Women’s Suffrage Pilgrimage, July 1913. LSE Libray, 10/54/097.

Nancy Astor, Viscountess Astor was the¬†first woman to sit as a Member of Parliament (MP) in the House of Commons.¬†Astor chose this plain outfit, similar to a man’s suit, for the HOC so that she would be judged by what she said and not what she wore.

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Nancy Astor’s Parliamentary Suit, 1919. Wool cloth suit (jacket and skirt), silk blouse and matching hat. (On loan from Plymouth City Council, Museum Galleries Archive).

On 28th October 1908, suffragettes from the Women’s Freedom League (WFL) visited the Ladies’ Gallery whilst male MP’s were discussing women’s suffrage. ¬†Muriel Matters and Helen Fox chained themselves to grilles. A third woman, Violet Tillard lowered the ‘proclamation’ banner through the grilles so it could be seen in the chamber. Male suffragettes threw leaflets form their gallery. Matters and Fox couldn’t easily be unchained so the grilles were removed with them still attached. Alongside the banner were a metal grille and bolt clippers that were related to protests that day. A purchase order for the bolt clipper’s stated¬†“In 1908, a “Porter’s easy bolt clipper” was obtained through H.M Office of Works to cut the chains with which the suffragettes might secure themselves to portions of the building”.

Left: Proclamation Banner, 28th October 1908. The Women’s Freedom League ‘proclamation’ was written by WFL founder Teresa Billington Greig. Copies were pasted up all over London. This one was pasted onto cloth and mounted on sticks for use in the Ladies’ Gallery protest. Parliamentary Archives: HC/SA/SJ/3/1

Favourite suffragette stories:

The exhibition told stories about suffragettes that have often been left out of suffrage narratives, highlighting women that contributed majorly to the fight for the vote but didn’t have the forename Emily or surname Pankhurst!

  • Princess Sophia Alexandra Duleep Singh¬†was¬†one of several South Asian women who pioneered the cause of women’s rights in Britain. She played a major role in the Women’s Tax Resistance League, as well as being heavily involved in the¬†Women’s Social and Political Union. Although Sophia’s primary focus as¬†a British subject and goddaughter of Queen Victoria was women’s rights in England, she and her fellow suffragettes also promoted similar activities in the colonies. She was proud of her Indian heritage, but was not bound by allegiance to a single nation and sought to support the women’s cause in a number of countries.

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  • Paralysed from the waist down caused by contracting polio as a chid, Rosa May Billinghurst¬†was a disabled suffragette who famously campaigned and protested in her hand tricycle; earning her the nickname ‘cripple suffragette’. She was involved in many of the protests lead by the WSPU and founded the Greenwich branch of the Party in 1910. As its first secretary she took part in the ‘Black Friday‘ demonstrations. Her disability did not hold her back, nor did it hold back the male police officers. They would often throw her out of her tricycle, leaving her on the ground, unable to get up. Throughout her activism, Rosa was sent to prison three times & force fed by prison guards like many other suffragettes.

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Favourite quotes:

I was so incredibly happy and inspired by this exhibition as it gave a refreshing insight into the suffrage movement; exposing hidden objects and stories that had been left out of many other displays. I left the exhibition feeling truly inspired knowing how much change can come from campaigning, protesting and fighting for what you believe in. I can openly say I would be a suffragist rather than a suffragette (I’m very scared about breaking the law or getting into trouble!) but this exhibition showed how both are necessary for change. Taking a stand, writing to MP’s, attending marches and vocalising your thoughts can support change. Nothing ever happens overnight, these women fought for decades for the first step but women’s continued fight went from no women > some women ¬†> all women being allowed to vote in the UK. Women’s voice in Parliament has changed the way women can engage with politics, the decisions that are made in the House of Commons and the rights we have as an equal sex. I am forever grateful to the women who fought and continue to fight for change and equality in the UK and around the world and will aspire to be more involved in politics in the future. We women are a force to be reckoned with and we will not stop fighting for equal rights!

Keep fighting the good fight & showcasing women in exhibitions!

Happy Museum Musings,

Em xo

ūüďćCurson Lodge, Silent Street: Ipswich, Suffolk

Each September, Heritage Open Days organises a free weekend of events and activities at over 2,000 heritage sites across England. The weekend involves over 5,000 events and is run by 4,000 volunteers! The aim is to open up the doors of places that celebrate local heritage to the community with sites including museums, stately homes and heritage buildings. Some of the sites are always open to the public but utilise the weekend to raise awareness or increase access to their site, others are often closed to the public thus opening up a rare opportunity to experience the site. And this year, we were blessed with not one but TWO weekends of heritage open days!

I was born in Ipswich, a multicultural town in Suffolk, East of England. I have always been interested in our local history; visiting (and working) in local museums, reading my grandad’s local history books and going on tours with my mum as a youngster. For 25 years I have been passing the beautiful building that is known as ‘Curson Lodge’ on Silent Street and thanks to #HODIpswich2018, I finally got to explore inside!

This beautiful Tudor building, which spans 1-9 Silent Street and 45-47 St Nicholas Street, was built in two phases during the late-15th and early-16th centuries. The white and black corner property has been recognised as one of the most complete examples of an early Tudor inn anywhere in Britain. In 2006, the Ipswich Building Preservation Trust undertook essential restoration and conservation on this late medieval Grade II* listed building thanks to a generous grant from the Ipswich Borough Council.

According to a report by Leigh Alston, the inn was built to accommodate the extra guests and servants of those staying in the Palace on the opposite side of the road. The house, owned by Lord Curson, was visited by the likes of King Henry VII and Catherine of Aragon therefore a space was needed to house their royal parties. Mr Alston states that at the beginning of the 16th century the inn had an extension built – a new hall to the left of the parlour section in Silent Street and a large room with a new separate entrance was added to the part of the property on St Nicholas Street. The extension included features such as carved ceilings, a side-purlin roof and a jetted gallery at the back of the building.

On a wall downstairs, numerous layers of wallpaper dating from the early-19th to mid-20th century were found during the restoration. Although the plaster had to be replaced and the wallpaper recovered for conservation reasons, there were photographs showing what the layered wallpaper underneath looked like.

Layered wallpaper found underneath the panelling in Curson Lodge

The first floor parlour shows an early-19th century renovation. In true Georgian fashion, the original Tudor beams have been hidden by pine mouldings whilst a fireplace was added for extra comfort in what would have become a family home. The first family documented to have lived in the property¬†were the Crispin’s; a family of tailors who moved in to the property in 1841. Since then, the house has been occupied by Greengrocers, Scholars and Bootmakers. The last use of the building was as a book shop called “Claude Cox Books” which ran out of the property from 1985 – 2016.

The house is often referred to as Wolsey’s birthplace and although is true that Thomas Wolsey was born in Ipswich, he was actually born above a Butcher’s shop on the opposite side of the street, not in Curson Lodge!

Getting to explore such a a local gem thanks to Heritage Open Days was wonderful and I can’t wait for 2019’s adventures – when HOD will be running for a whole week!

Happy museum musings!

Em xo